Showing posts with label Mannerism. Show all posts
Showing posts with label Mannerism. Show all posts

December 13, 2008

The Art of Giuseppe Arcrimboldo

Giuseppe Arcimboldo (1527 – 1593) was a famous court painter to the Hapsburg emperors. His work enjoyed a resurgence of popularity when Arcimboldo's eccentric “vegetable” portraits were rediscovered by the Surrealists in the 20th century.

 

(Arcimboldo, Giuseppe. Summer. c. 1563.
Oil on limewood. Kunsthistorisches Museum,
Gemäldegalerie, Vienna.)

His early artistic career was conventional. He was born as the son of a painter in Milan. He learned his trade working with his father at Milan Cathedral. He provided designs for stained-glass windows and later worked in the cathedrals at Monza and Como.

(Arcimboldo, Giuseppe. The Gardener. c. 1590.
Oil on panel. Museo Civico Ala Ponzone, Cremona.)

Arcimboldo was lucky, his work came to the attention of the Holy Roman Emperor, who was Ferdinand I at that time. Ferdinand, I invited him to his court in Vienna and it was there that he painted the first of his bizarre portraits, called Spring. Spring is a clever arrangement of fruit, flowers, and vegetables which forms the likeness of a human head and looks like a portrait from far away.

 

(Arcimboldo, Giuseppe. Spring. c. 1573.
Oil on canvas. Musée du Louvre, Paris.)

The fantastic wit of his portraits, which may have been satirical or allegorical, was immensely popular with the Holy Roman Emperor and his successors. Arcimboldo also continued to receive Rudolf II’s patronage, even when he returned to Milan for the final years of his life.

 

(Arcimboldo, Giuseppe. Winter. c. 1563.
Oil on limewood. Kunsthistorisches Museum,
Gemäldegalerie, Vienna.)

Arcimboldo’s portraits created with fruits, flowers, vegetables, and other objects were dictated by the subject, but probably also had some symbolic or satirical significance for contemporary viewers during the time that the portrait was painted.

 

(Arcimboldo, Giuseppe. Water. c. 1566.
Oil on limewood. Kunsthistorisches Museum,
Gemäldegalerie, Vienna.)

Although Acrimboldo's paintings were mostly produced for courtly settings, he took the playfulness of the Mannerism movement to the extremes with his witty portraits and caricatures. His works were so popular that he painted a number of versions of the same one to supply the huge demand for them at that time. His creativeness, his attention to detail, and his humor are all very much appreciated here! 

Enjoy :) 

Reference: King, R. Art. New York: DK Publishing, 2008.

September 4, 2008

The Art of El Greco

El Greco (1541 - 1614) which is Spanish for ‘the Greek’ was born in Crete. He moved to Spain in 1577 and despite his heritage, he becomes one of the greatest masters of Spanish painting at that time. Always remaining proud of his national heritage throughout his life, he signed his work using characters from the Greek alphabet.

(El Greco. View of Toledo. c.1604-1614. Oil on canvas. Metropolitan Museum of Art, New York, USA.)


Unfortunately, El Greco did not maintain his heightened fame after his death in 1614. Centuries later, not only was Thomas Hart Benton admiring him, he was ‘rediscovered’ by the Cubists, such as Paul Cézanne & Pablo Picasso, along with the German Expressionists. They were all attracted to El Greco’s work because of the expressive distortions of form and color in his painting.


(El Greco. St. James the Greater. The 1600s. Oil on canvas. Kunstmuseum Basel, Basel, Switzerland.)

“El Greco has a style which is quite unique in European painting: a strange combination of the expressive power of Italian Mannerism but illuminated by a mystical light and color that reflects the artist's intense spiritual fervor." (artyfactory.com)

"El Greco freely distorted his figures and exaggerated the color and tone of his paintings to achieve the unique mystical vision for his art.” (artyfactory.com)

(El Greco. St. Martin and the Beggar. 1597-1599. Oil on canvas. National Gallery of Art, Washington DC, USA.)

I love the contrast created by the dramatic colors. I have always loved the way that he elongates the human body, making them seem as though they are almost weightless. It brings an almost peaceful feeling to admire it. Thank you, El Greco!

Enjoy :)